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SDG

Glorify Thy Name. Arrangement: Gertim (SDG)

SDG

2:13	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		17	0	2	5	100%
Alto		4	0	0	1	8%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		17	0	2	5	100%
Alto		4	0	0	1	8%

80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).

SDG

0:52	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		23	0	5	4	100%
Soprano		1	0	0	1	5%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		23	0	5	4	100%
Soprano		1	0	0	1	5%

42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	5	6	100%
Tenor/Bass		24	0	6	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	5	6	100%
Tenor/Bass		24	0	6	6	100%
Contrabass		17	0	4	5	46%
Alto		3	0	0	2	6%

52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach

SDG

0:41	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		18	0	3	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		13	0	1	5	50%
Tenor		3	0	0	2	8%

36. Christ ist erstanden. BWV 276. J.S. Bach, Klug.

SDG

1:59	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	5	7	100%
Tenor/Bass		26	0	8	7	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	5	7	100%
Tenor/Bass		26	0	8	7	100%
Contrabass		19	0	6	7	50%
Soprano		2	0	0	1	3%

48. Christus, der uns selig macht. BWV 283. J.S. bach.

SDG

0:49	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	4	100%
Tenor/Bass		25	0	8	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	4	100%
Tenor/Bass		25	0	8	6	100%
Contrabass		20	0	6	4	50%
Alto		2	0	0	1	6%

23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.

SDG

1:11	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	4	100%
Tenor/Bass		19	0	5	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	4	100%
Tenor/Bass		19	0	5	4	100%
Contrabass		17	0	4	3	50%
Tenor		2	0	0	2	4%

41. Christ lag in Todesbanden. BWV 4.8.

SDG

1:01	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	6	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		22	0	6	5	100%
Contrabass		15	0	5	5	50%
Soprano		2	0	0	1	11%

20. Als der gütige Gott, BWV 264, Johann Sebastian Bach

SDG

0:30	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	0	0	6	100%
Tenor/Bass		16	0	2	7	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	0	0	6	100%
Tenor/Bass		16	0	2	7	100%
Contrabass		10	0	1	5	50%
Alto		3	0	0	4	18%

212. In dich hab' ich gehoffet, Herr. BWV 52 #6

SDG

0:40	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		11	0	1	4	100%
Soprano/Alto		12	0	3	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		11	0	1	4	100%
Soprano/Alto		12	0	3	5	100%
Tenor/Bass		17	0	2	6	100%
Contrabass		10	0	1	5	48%

155. Herzlich lieb hab ich Dich, o Herr. BWV 149/7.

SDG

1:24	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	3	6	100%
Tenor/Bass		20	0	7	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	3	6	100%
Tenor/Bass		20	0	7	6	100%
Contrabass		16	0	5	5	50%
C Trumpet		7	5	0	3	10%

67. Dir, dir, Jehova, will ich singen. BWV 299.

SDG

1:12	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		17	0	3	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		17	0	3	4	100%
Contrabass		11	0	2	4	50%
Voice		1	0	0	1	7%

341. Was Gott thut, das ist wohlgethan. BWV 99.6.

SDG

0:49	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	5	100%
Tenor/Bass		16	0	3	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		9	0	1	3	50%
Alto		1	0	0	1	6%

106. Für Freuden lasst uns springen. BWV 313

SDG

0:48	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		21	0	6	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		21	0	6	5	100%
Contrabass		16	0	4	4	50%
Voice		2	0	0	1	6%

105. Freuet euch, ihr Christen alle. BWV 40 #8

SDG

0:59	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		21	0	6	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		16	0	4	3	50%
Voice		3	0	0	1	10%

89. Es ist das Heil uns kommen her. BWV 251. Trauungschoral.

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		13	0	2	6	100%
Soprano/Alto		17	0	4	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		13	0	2	6	100%
Soprano/Alto		17	0	4	3	100%
Tenor/Bass		19	0	4	4	100%
Contrabass		14	0	3	3	49%

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